A Little Buble Goes a Long Way

1 Apr

Over the last couple of weeks my laptop’s power cord has been on the fritz. Getting the connection between the wall socket and the computer to flip on took a lot of bending, finessing and cajoling the wires inside to please do their thing. They were compliant for a little while, but yesterday, it had had enough. No matter where I plugged in, no matter how I bent the cord, it wasn’t going to charge my laptop. And then like any person who has to get some work done right away, I drained the battery.

This meant I had to go to the Apple store to get a new cord. I live outside of Boston, just on the edge of convenient public transportation, so getting to an Apple store, my options of which were Cambridge or downtown Boston–and more importantly, home again–involves planning around train and bus schedules.

So I took the train downtown and got my errand done in all of a half hour. Since I had time to kill before my train home and I rarely have a weekday afternoon where I can hang around the city, I thought it was as good a time as any to play hooky and do something fun. Like see the ladies short program at the World Figure Skating Championships.

One balcony ticket later and I was sitting pretty, catching the last couple of skaters in Group 2. The afternoon session consisted of seven groups of five to six skaters each. Each skater has up to 2:50 to complete her short program, and it has to contain certain technical elements. Go over that time limit, and you get a deduction for up to every five seconds you’re over. Figure skating don’t play–it’s got a schedule to keep!

In Group 3, Aleksandra Golovkina from Lithuania kicked things off with a short program set to Michael Buble’s version of “Feeling Good.” Aleksandra didn’t have a great outing–she ended up in 33rd place, which put her well out of qualifying for the long program (the top 24 skaters get to skate in the finals, which, for the rest of the group, makes it an awfully long journey for two minutes and 50 seconds of competition).

Three skaters later, Germany’s Nathalie Weinzierl took the ice. The music started, and I heard an oddly familiar “Sun in the skyyyyy.” I’d been focused on keeping track of score (like you do) and was starting to track season best times as well, so I was kind of engrossed in my paperwork. Still, I thought, Didn’t I just hear this?

Then I heard someone groan behind me, “This is the third time we’ve heard this song.”

I instantly thought, Man, am I glad I missed the first group. Turns out that not only did France’s Mae Berenice Meite use it, but Great Britain’s Kristen Spours kicked off the competition with a different singer’s version of the same song. [Note: None of these skaters qualified for the long program. Guess the judges weren’t feeling good about their performances–Ba dump bump – ching!]

Luckily for us and the judges (as a fellow sports official, I generally have some sympathy for what officials in any sport have to go through, and repeatedly listening to the skating hit of the moment has to be one of the tougher aspects of judging ice skating), no one else Bubled it up the rest of the afternoon. I kept track of that too.

The rest of the afternoon was hits and misses when it came to music. When you’re watching about three dozen skaters, music becomes an important element–at least for the skater to differentiate and endear herself to the crowd. All the classical music I heard was lovely, but I don’t necessarily remember it. In looking at skaters who qualified, there were many who I thought did very well at the time, but I don’t remember them. Zijun Li from China smashed her season best score by five points and is sitting in 11th place, but I can’t place her and perhaps that’s because her music, while fitting, was some classical music that sounded a lot like some of the other classical music that other skaters used.

Who stood out to me? Those who used something different, preferably upbeat, that wasn’t the same style that we heard all afternoon long. Hearing Michael Buble-esque stuff gets old. I also don’t mean making you remember it because you’ve tied it in to who you are. How many Anastasias get conned into skating to music from the cartoon “Anastasia” (much like poor Anastasia Galustyan)?

No. The skaters I got jazzed about had interesting, generally uptempo music–or partway through, their music changed and picked up (I kind of love good music shifts in ice skating music. When you’re around fans who really know a skater’s routine and start to cheer when they get to a particular music, it’s exciting). Amy Lin‘s “Slumdog Millionaire” routine was one of my favorites because it picked up tempo at the right spot. Elizabet Tursynbaeva’s “I Got Rhythm” routine used a fun version of the song, and she interpreted it fantastically (I’d say watch for these two to get even better in the coming years–they killed it yesterday).

The most memorable performance for me though wasn’t Gracie Gold’s winning short program. Maybe my endurance was flagging by the time she came on. She was great, yes, but I don’t really remember how well she did. Instead, I’m stuck on Ashley Wagner’s performance, set to “Hip Hip Chin Chin.” Not only did she nail it, topping her season best by nearly three points, she had such great choreography and had so much fun skating and interpreting that music, and that was completely infectious–even up in the balcony. It’s a song that I currently have on repeat–and for the introduction to that song and group, I’m feeling good right now.

It’s certainly better than feeling Bubled.

 

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